The Dark Lady and the Millennials


It’s been my experience that millennials, and to a lesser extent Gen X’ers, do not have a firm grip on Good. The decline of the historic American moral culture and the rise of the popular culture to replace it the past forty years has a lot to do with this. Older people with memories can point fingers in a dozen different directions, especially with the demise of building children’s moral teaching around family and church on Sunday. The lessons kids learn at ages 8-12 are the ones they hold onto longest, and more likely to return to, no matter how many crossroads they later encounter. These are accepted principles of science, religion, and politics.

This is why it has always been a major objective of the Left, largely achieved, to get to those 8-12 year-olds first, via public schools, and employ every tool available to discount religion and family-based ideas of morality and substitute its own secular priorities.  A 50% divorce rate and single-parent households have helped in this endeavor.

But by thinking they had excised an appreciation for Good from American youth’s psyche, what the Left has failed to do is create an equal lack of awareness about Evil, leaving the backdoor to Good slightly ajar. Maybe this is because the Left doesn’t really believe in Evil except as that which denies them their purposes. Among narrow-thinking academicians, this is actually a form of psychological teatfittery, but it’s a concept that doesn’t register with kids in that very important age demographic of 8-12.

I’m not quite sure what the Left’s longer game is with millennials, perhaps to build a herd from which various classes of soldiers can be culled, from the rank-and-file cannon fodder we find on Twitter today to the academic (Jonathan Grubers) and political (Obama) movers and shakers who in fact do seem to be taking control of our world. But they seem to have grossly miscalculated the kids, and ironically, signs of this may be found in the way they have reacted to Bernie Sanders, who millennials see as a kindly old grandfather-type, fighting against the same evils they had been brought up to hate…only they were not taught these things by mom (with no dad), nor in 5th grade by the polar-bears-can’t-swim or Edith-has-two-dads teacher. But by Hollywood. Not one in a hundred millennials know anything about the “isms” Bernie Sanders preaches. He just seems nice and he hates what they perceives evil to be. An “Evil” they can grasp without any critical thinking.

So, never mind that many millennials express themselves with mean, wicked, scatological, mockery on Twitter. Thanks to Donald Trump, we’ve now learned that the “androgyny-ectomy” performed on 5th graders, turning them into girlie-men  and boyee-girl has also been successfully performed on many self-professing conservatives, having left behind, or perhaps never having actually grasped critical thinking years ago, just to satisfy their inner-teatfittery. The Frenchman La Rochefoucauld  once said that “hypocrisy is the price that vice pays to virtue” but even the scatological mockery from the adrogynist kinder at, while serving no Good no grown-up can find with a divining rod, still must paint everything they hate as “Evil”.

But I’m not discussing here to discuss Donald Trump’s ability to push the tantrum button inside so many small-minded souls, although it is prodigious. He does seem to be able to turn educated  thinkers and writers into mumbling children.

What I am discussing here, for the benefit of Donald Trump’s advisors, is the power Evil has over a large number, probably even a majority, of millennials…as seen as  a BAD THING.

This is good.

Just look at the films millennials like and their most popular books, especially fiction. Do a twenty year scan. I’m not suggesting you actually watch their films, but there are dozens upon dozens of trailers out there…and almost all, as their selling points, portray 1) a nebulous good, which, in the literary sense of “character development” is never really developed, but 2) always pitted against an over-powering image of Evil, which is depicted down to the last apostrophe. Even the vampire themes, all about the undead, very popular in print and film, (Twilight, Vampire Academy) all pit good undead against bad undead, the key defining fang marks being the badness of the bad side. That the good vamps are Ozzie and Harriet Undead is not a subject to be thought through very deeply.

For some reason the Left has never been able to staunch Hollywood’s interest in making money in this fashion, but what sells has always been Evil and heroes.

The Dark Ladies

Some  blame Walt Disney, who had an array of wicked women as the central figure of evil in his animated films. Feminists complained 30 years ago, still,  some great and beautiful actresses still line up to be the wicked witch in new productions. Beginning with the Wicked Queen in “Snow White” (1937) just in front of Margaret Hamilton’s Wicked Witch of the East in “Wizard of Oz”  (1939), the trademark stuck. Today the Snow White franchise has been revised, Hansel and Gretel, Witch Hunters, all variations on  the same theme. And every time I see Madame Medusa from “The Rescuers” (I’m a Bob Newhart fa0) I think of Hilary Clinton.

It’s a winner.



And there are always heroes, though of late, 40-50 years, they have become less noble, Good as we were taught in Sunday School, less visible. The anti-hero is not new. 1940s crime fiction, film and print, lionizing Sam Spade (a creation of a communist who couldn’t sell Marx in film or his novels) and Mike Hammer, both social cynics, are early examples.  Jack Reacher is a popular rendering. Clint Eastwood as the spaghetti western Man With no Name and later, Dirty Harry and Schwarzenegger in both his Goth film, “Conan” and the “Terminator” franchise, featured heroes representing a sort of undifferentiated Good against an all-hateful Evil, usually trying to enslave the world.  These archetypes cover three generations.

The evidence is overwhelming, films against Evil, from Star Trek to  Harry Potter for kids, even the White Witch in the Lion, Witch and Wardrobe is what draws kids to the theater. Only in the Lord of the Rings trilogy of films did Good get equal billing, well almost, with Evil.

Lesson learned: Hating Evil sells.

Give any Star Trek  millennial a written test and ask them to write down the Evil they saw being fought against in the film, then measure not the quality of the answers, but the sameness of those answers. Then ask the viewers to quantify the Good being protected or asserted in the film and the answers will be all over the board.

The constant with Millennials is hating Evil.


Although all the great composers wrote of heroic themes, Tchaikovsky composed the first recurring leitmotif of Good versus Evil with his 1812 Overture. Beethoven’s was better, but imagery matters.  In 1977 John William’s score for “Star War” established leitmotifs of both Heroism and Evil that survive today; the main (heroic) theme, the march of the Storm Troopers and Darth Vader’s entrance theme, all draw immediate images, and are found in later music for they guide the audience to the same places, where heroism and Evil dwell. One of my favorite western film themes, Silverado and one which I had always thought would suit a Trump rally, is a by-product of the ability of music0makers to capture the imagery of heroism and Evil.

Words Matter

It’s not for me to write the scripts, or list the key-word themes for Mssrs Trump, Lewandowski, Manafort, Scavino & Co, but I know that the term “dark” works with Millennials and can be effective to depict Mrs Clinton, Elizabeth Warren, even the entire Democrat Party…except for granddad Bernie. Do a soft shoe around him. They like him for reasons you may not quite understand. I’d find every way to weave that word, and idea into any conversation about the other side.

There are dozens of words that have similar eye-to-mind connections. Just ask yourself, Why does every Dark Witch remind people of Hillary, and every pop movie villain remind kids of weenie bureaucrats? (The last two from Jurassic Park and Pirates of the Caribbean, villains all, but only two who got their just desserts in the end.)


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